This project aims to explore synesthesia by associating certain body positions with visual hallucinations induced by photic stimulation. In other words, flashing lights at various frequencies seems to cause visual patterns to appear for the viewer. Simple wearable sensors will adjust the frequency of the flashes and thus provide various patterns. Although the patterns may differ for each viewer, they seem to be the same for the viewer at a given frequency. (more…)
Posts Tagged ‘think phys’
Corey Menscher and I worked together on ThinkBig for the Whole Body Interface exercise in Thinking Physically. Corey had the basic idea of making soft switches which would be foot activated. Initially he was going to make three which you’d have to skip between. (more…)
Following up on the initial post about the brauswitch – the eyebrow activated headband switch. Here is some video with a simple application demonstrating it’s use. There are separate switches for both the left and right sides. The simple Arduino code listed below will indicate if the left, right or both sides have been activated. A Processing sketch reads the serial output of the device and plays a variety of sound samples.
There is something really nice about the amplification of a small facial movement and the larger audio/visual response of the sketch. It’s also nice to interact in a handsfree way. Oh! Fun. Code after the video. (more…)
Designing a gesture. “The Expressive Body” by David Alberts describes movements and gestures at length. In it he writes:
In terms of human interaction, physical behavior has five primary functions: (1) to express emotion; (2) to regulate interpersonal interactions; (3) to present one’s personality to others; (4) to convey interpersonal attitudes and relationships; (5) to replace or accompany speech.
I was interested in drawing from a fairly common position I’ve found myself in lately: being deep in concentration reading or brainstorming. Analyzing the common body positions I’ve observed myself and others in when in a similar state, here is my proposed gesture for “I’m busy/tired/frustrated/overwhelmed – go away / leave me alone right now.”
Three fingers touch the face. Index finger above the outside corner of the eyebrow. Middle finger on the forehead above the inside corner of the eyebrow. Thumb just below the cheekbone. Head can be, but not necessarily be downturned as if reading a book or screen.
I started with a gesture for having a headache – squeezing the temples or rubbing the forehead with the tips of the fingers of both hands. Then rubbing the forehead with fingers and thumb on opposite sides of the face. This gesture is modified from those.
Folks seemed to be unsure of the gesture at first, but were receptive to try it out. The finger positions varied slightly, but still are recognizable. The expression of the eyes also seems to play into the gesture greatly.
Under the close guidance of Anne Gridley from the Nature Theater of Oklahoma, our group (Mustafa, Andrew, DV and myself) were tasked with creating a dance of six moves whose choreography was determined by chance of a six-sided die. Each step is a single count.
Each of the six moves we created were inspired by the wearable digital switches presented earlier in class. They are labeled in a some what literal way, generally after the motion or body part the switch employed. (more…)
[Follow-up with a short video demonstration of it available here.]
The Brauswtich is a digital switch to be worn on the forehead, just above the eyebrows. Raising one or both eyebrows will close the switch. There is a small gap between the upper and lower portions of the headband. It is made with a heavy burlap; the upper portion is stiffer than the lower portion which generally moves less as the eyebrows are raised and enables the switching motion.
It was designed without a specific output in mind; the task was to work within the confines of the assigned body part – in this case the head and torso. In class we attached each of our switches to an Arduino +WaveSheild and used them to trigger sound effects. (more…)
we embarked upon an affordance treasure hunt as an exercise for our thinking physically class. given a set of criteria we had to identify objects which satisfied the criteria for the indicated user set. i’m still anchoring my understanding of affordances, assisted by reading j.j. gibson’s introduction to the topic and donald norman’s discussion about “perceived affordances” in his book “the design of everyday things”. affordances are intersections between the physical properties of an object and the capabilities of the animal attempting to interact with it. (more…)
i’ve always been a cat person. when i lived with my first cat i’d watch his ears swivel as he would listen to the sounds around us. sometimes i’d make quiet noises when he was looking away to see if he’d turn his ears toward me.
it is easy, of course, to accomplish a shadow of his ability by cupping my hands behind my ears…but i wanted to try something much more foolish. (more…)
Our first experiment for Thinking Physically is to “Create an interface or interaction that causes a person to ‘open up’.” This statement is intentionally vague – emotional, physical, literal?
My initial notes:
People seem to be aloof or wary of unfamiliar others. A shared experience seems to break down this distance. Observing a humorous or traumatic event. An emergency where people have to work together quickly. A spontaneous celebration. Whether it is a positive or a negative experience, a remarkable experience is what will break down barriers.
Apparel. A provocative piece of clothing will stimulate conversation. Affiliation though style, political or sports slogan can serve to both connect and to alienate others.
Gadgets – a sighting of an iPhone, and first generation iPod before it would generate interest enough to overcome avoidance of strangers. Someone wearing headphones is interpreted as a signal that they want to be left alone.
Gesture. Smiling might convey various messages given context…however they would still be different than a furrowed brow. Eyes – looking at someone vs. averting gaze. Culturally determined?
On another level, what about established relationships? I’ve been focusing on unfamiliar relationships between people – strangers, in a city perhaps. What about acquaintances, friends, co-workers, family, partners (an all the variant types here). What about opening up more in an established relationship? Would that be limited focused on emotion?
After a quick message passing with Kate who gave me some great advice – don’t overthink it – I came up with a simple idea: “what about a ‘Hi 5′ shirt? Something really graphically simple and aesthetic. without words, a simple gesture and the image should convey the intention.”
I’ll know if it works later today…